Il Villaggio

Maggio 22

(via Il cuore del 900 | Rivista Studio)

(via Il cuore del 900 | Rivista Studio)

Milton Caniff, ritratto nel suo studio, nel 1966.

Milton Caniff, ritratto nel suo studio, nel 1966.

[video]

Maggio 21

(via andykaufmanisnotdead)

(via andykaufmanisnotdead)

Maggio 14

Maggio 09

(via L’isola che non c’era. | Emiliano Serreli)

(via L’isola che non c’era. | Emiliano Serreli)

Maggio 04

Maggio 03

blackpaint20: The switching at birth of a demon for a human baby

blackpaint20:

The switching at birth of a demon for a human baby

(via androphilia)

yama-bato: In the Attics, Kelmscott Manor, 1896 Frederick H. Evans (British, 1853–1943) Platinum print; 6 1/8 x 7 7/8 in. (15.6 x 20 cm) The Metropolitan Museum of Art, New YorkNew York Kelmscott Manor was the country home of William Morris (1834–1896), poet, craftsman, designer, socialist reformer, and founder of the English Arts and Crafts movement. He and his wife Jane shared the house with the Pre-Raphaelite painter Dante Gabriel Rossetti from 1871 to 1874, and it remained a country retreat for Morris and the artists and intellectuals in his circle until his death. At Morris’ request, the bookseller and photographer Evans visited the old gray manor on the banks of the Thames in order to photograph it. This rare album, one of only two known to exist, was assembled by the photographer and contains thirty-one platinum prints, each carefully mounted on colored papers. In this photograph, Evans infused the bare and rambling space of the attic with a sense of harmony and spirituality that would later characterize his photographs of England’s great cathedrals.Source: F. H. Evans: Attic, Kelmscott Manor (68.519) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art

yama-bato:

In the Attics, Kelmscott Manor, 1896
Frederick H. Evans (British, 1853–1943)
Platinum print; 6 1/8 x 7 7/8 in. (15.6 x 20 cm)
The Metropolitan Museum of Art, New YorkNew York

Kelmscott Manor was the country home of William Morris (1834–1896), poet, craftsman, designer, socialist reformer, and founder of the English Arts and Crafts movement. He and his wife Jane shared the house with the Pre-Raphaelite painter Dante Gabriel Rossetti from 1871 to 1874, and it remained a country retreat for Morris and the artists and intellectuals in his circle until his death. At Morris’ request, the bookseller and photographer Evans visited the old gray manor on the banks of the Thames in order to photograph it. This rare album, one of only two known to exist, was assembled by the photographer and contains thirty-one platinum prints, each carefully mounted on colored papers. In this photograph, Evans infused the bare and rambling space of the attic with a sense of harmony and spirituality that would later characterize his photographs of England’s great cathedrals.

Source: F. H. Evans: Attic, Kelmscott Manor (68.519) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art

(via androphilia)

(Fonte: love-less, via androphilia)

[video]

(via ilovedeverythingisaw)